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c. 1445 – May 17, 1510. Italian painter.

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Jan van de Cappelle
A Shipping Scene with Dutch Yacht

ID: 40478

Jan van de Cappelle A Shipping Scene with Dutch Yacht
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Jan van de Cappelle A Shipping Scene with Dutch Yacht


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Jan van de Cappelle

1624-1679 Dutch Jan van de Cappelle Locations Dutch businessman, collector, painter, draughtsman and etcher. Though now considered the outstanding marine painter of 17th-century Holland, he was not a professional artist nor a member of the Amsterdam Guild of St Luke. His father owned a successful dye-works in Amsterdam, in which both Jan and his brother Louis were active. Their father enjoyed a long life and probably managed the firm until close to his death in 1674, when Jan inherited it. This left Jan with plenty of spare time to pursue his hobby, painting. He married Annetje Jansdr. (Anna Grotingh) before 1653. He died a widower, survived by his seven children, who inherited his considerable fortune. His last will shows that in addition to the dye-works and immense cash assets, van de Cappelle owned extensive properties and an art collection that must be rated among the most important of his time.  Related Paintings of Jan van de Cappelle :. | Dutch Yacht Firing a Salvo | Calm | Winter Landscape | Winter Landscape | Becalmed |
Related Artists:
BASSEN, Bartholomeus van
Dutch Baroque Era Painter, 1590-1652 Dutch painter and architect. He was the grandson of Bartolt Ernst van Bassen from Arnhem, who was Clerk of the Court of Holland in The Hague. In 1613 van Bassen was admitted to the Guild of St Luke in Delft, having come from outside the city. In 1622 he became a member of the Guild in The Hague where he was also municipal architect from 1638 until his death. He married in 1624; his son Aernoudt married a daughter of Cornelis van Poelenburch.
Christoph Paudiss
German,Christoph Paudiss, ca.1618-1666
LIPPI, Filippino
Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.






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